What are some good thrilling/disturbing sci-fi books for a teen?

[Emily1]

I'm a 16 year old girl and I love a good action/thrilling/sci fi book. By sci fi, I do not mean aliens or outer space. I mean books where the world isnt "right".

For example books like:
Lockdown (escape from furnace 1) by Alexander Gordon Smith
Unwind by Neal Shutterman
The Uglies Series
The Maximum Ride series.

I realize I could be looking into books of this genre in the adult section also, but I like it when the main character is under 20 and really shouldn't be in the situation theyre in.
I've already read the Hunger Games first two books, but thanks for pointing out that there will be a third!

Ive also already read Rash.

 

[redunicorn]

I too like the Hunger Games.

Another good choice would be Rash by Pete Hautman. It is about a world where we over protect people. We pad the road for runners. We put people in jail for calling others people names. Football is banned as too violent. This one boy is put in jail for calling his rival for his girlfriend a name and giving the kid a rash. He is put in a jail making pizza in the arctic. The jail is surrounded by hungry polar bears not able to find their normal food due to global warming.

Another good choice would be Little Brother by Cory Doctorow. It is about a teenage gamer hacker that gets in trouble with Homeland Security after a bridge is blown up. The government overreacts and puts cameras in every classroom and monitors the movements of every citizen.

 

[shelby]

Have you read The Hunger Games series? I wouldn't classify it as Sci-fi really but it's pretty incredible. They're probably my favorite books of all time. Here's part of an article from TIME: "The Hunger Games is set in an unspecified future time when things have gone pretty spectacularly badly for humanity. The world, or the bit of it we can see, is dominated by a ruling caste who live in luxury in a city called the Capitol. The rest of us live like peasants in 12 districts that are strictly cordoned off from the Capitol and one another. Life in the districts sucks: it's mostly hard labor--mining coal and farming and working in factories--in dismal conditions.
To make things even dismaler, once a year each district is required to give up two of its children, chosen by lottery, and enter them in the Hunger Games. The kids are dropped into an enormous arena strewn with traps and hazards, with a heap of weapons and supplies in the middle. The last child alive wins a lifetime of luxury and celebrity. The action is filmed and broadcast to the entire world.
We experience this ordeal through the eyes of Katniss, a resident of District 12, a harsh, cold region mostly given over to coal-mining. She is a passionate 16-year-old who hates the Capitol and is devoted to her family; she volunteers for the Games to take the place of her sister, whose name came up in the lottery. Katniss is a skilled hunter and sheer death with a bow and arrow. She doesn't like to kill. But she doesn't want to die either.
Whereas Katniss kills with finesse, Collins writes with raw power. After a life spent in freezing poverty, Katniss experiences pleasure--warmth, food, pretty clothes--with almost unbearable intensity, and that's where Collins' writing comes alive. (Not sex, though. The Hunger Games isn't just chaste, like Twilight; it's oddly non-erotic.) Likewise, Collins brings a cold, furious clarity to her accounts of physical violence. You might not think it would be possible, or desirable, for a young-adult writer to describe, slowly and in full focus, a teenage girl getting stung to death by a swarm of mutant hornets. It wasn't, until Collins did it. But rather than being repellent, the violence is strangely hypnotic. It's fairy-tale violence, Brothers Grimm violence--not a cheap thrill but a symbol of something deeper. (One of the paradoxes of the book is that it condemns the action in the arena while also inviting us to enjoy it, sting by sting. Despite ourselves, we do.)
Katniss survives the first novel, and the second finds her back in the arena, where she will try, in her words, to "show them that I'm more than just a piece in their Games." The Hunger Games and Catching Fire expose children to exactly the kind of violence we usually shield them from. But that just goes to show how much adults forget about what it's like to be a child. Kids are physical creatures, and they're not stupid. They know all about violence and power and raw emotions. What's really scary is when adults pretend that such things don't exist."

The third book, Mockingjay was just released. It's the last book in the series. I hope I helped! Trust me, these books are amazing.

 

[shelby]

Have you read The Hunger Games series? I wouldn't classify it as Sci-fi really but it's pretty incredible. They're probably my favorite books of all time. Here's part of an article from TIME: "The Hunger Games is set in an unspecified future time when things have gone pretty spectacularly badly for humanity. The world, or the bit of it we can see, is dominated by a ruling caste who live in luxury in a city called the Capitol. The rest of us live like peasants in 12 districts that are strictly cordoned off from the Capitol and one another. Life in the districts sucks: it's mostly hard labor--mining coal and farming and working in factories--in dismal conditions.
To make things even dismaler, once a year each district is required to give up two of its children, chosen by lottery, and enter them in the Hunger Games. The kids are dropped into an enormous arena strewn with traps and hazards, with a heap of weapons and supplies in the middle. The last child alive wins a lifetime of luxury and celebrity. The action is filmed and broadcast to the entire world.
We experience this ordeal through the eyes of Katniss, a resident of District 12, a harsh, cold region mostly given over to coal-mining. She is a passionate 16-year-old who hates the Capitol and is devoted to her family; she volunteers for the Games to take the place of her sister, whose name came up in the lottery. Katniss is a skilled hunter and sheer death with a bow and arrow. She doesn't like to kill. But she doesn't want to die either.
Whereas Katniss kills with finesse, Collins writes with raw power. After a life spent in freezing poverty, Katniss experiences pleasure--warmth, food, pretty clothes--with almost unbearable intensity, and that's where Collins' writing comes alive. (Not sex, though. The Hunger Games isn't just chaste, like Twilight; it's oddly non-erotic.) Likewise, Collins brings a cold, furious clarity to her accounts of physical violence. You might not think it would be possible, or desirable, for a young-adult writer to describe, slowly and in full focus, a teenage girl getting stung to death by a swarm of mutant hornets. It wasn't, until Collins did it. But rather than being repellent, the violence is strangely hypnotic. It's fairy-tale violence, Brothers Grimm violence--not a cheap thrill but a symbol of something deeper. (One of the paradoxes of the book is that it condemns the action in the arena while also inviting us to enjoy it, sting by sting. Despite ourselves, we do.)
Katniss survives the first novel, and the second finds her back in the arena, where she will try, in her words, to "show them that I'm more than just a piece in their Games." The Hunger Games and Catching Fire expose children to exactly the kind of violence we usually shield them from. But that just goes to show how much adults forget about what it's like to be a child. Kids are physical creatures, and they're not stupid. They know all about violence and power and raw emotions. What's really scary is when adults pretend that such things don't exist."

The third book, Mockingjay was just released. It's the last book in the series. I hope I helped! Trust me, these books are amazing.